Francesca Albini

The National Gallery until 26 January 2020 “Gauguin firmly believed that the world could only be apprehended from his personal point of view”, we read on the board in Room 1, entitled Self Portraits. Was he really self-obsessed, as the curators suggest? Or is there a form of ‘honesty’ in a vision that analyses the other from the point of view of the self? A vision that does not try to annihilate the self in order to better understand the other? If you are looking for answers

Summer in London. A time for football, tennis, big open-air screens, deck chairs, Pimm’s, barbecues in the garden. But also, and for us more importantly, a time for art, a time to explore new artists, young artists, known and less known ones, “fringe” artists, etc. A time to discover what is brewing in the creative world, and a time to show our own work, and take active part in the conversation. There is a whirlwind of events, from our treasured Open Houses – that give people